I pay tribute to the work done by Bord Scannán na hÉireann since it was reconstituted in 1993. I had been a Member of the other House for just a few days when the Irish Film Board was disbanded in 1987. It was one of the not infrequent occasions when I took issue with the judgment of Charles J. Haughey. The success of Bord Scannán na hÉireann since it was reconstituted in 1993 has proven what a retrograde step that disbandment was.
The board has served us well since 1993. Senator Coogan referred to the success of a number of films it supported or grant aided. Three of the four films which received awards at the prestigious San Sebastian film festival were supported by the board; they were "Ailsa", "Trojan Eddie" and "I Went Down", Paddy Breathnach's fine film which almost every speaker mentioned. The film "Last Bus Home" which won an award at the Irish and British film festival at Cherbourg was also grant aided by the board. That testifies to the judgment of the board, among the many other facets of expertise it brings to bear on the development of the industry.
The film industry is very important to the future of this country, not alone to our cultural development and understanding of our identity but to our economic development, directly and indirectly. When shown abroad, Irish films invite curiosity about the country. They often project an interesting and appealing image of Ireland and prompt tourists to visit and industrialists to invest here and thereby generate jobs. These are indirect benefits which should not be overlooked. There are direct benefits such as the growing number of people who are gaining interesting and exciting employment in film making. When we invest taxpayers' money in the film industry, we invest wisely.
The development of the film industry is exciting because it is a young people's industry. Living in Cork, I have seen the film festival there evolving dramatically over 42 years. In its early days it brought great glamour to the city and was an event for the elite when one took out one's fur coat to impress the natives, ate in the best restaurants and if a film was thrown in it was a bonus. In recent years the event has become a serious festival of film and the audience consists of serious minded, mainly young people, although codgers of my age also attend. It is very much a young people's festival, both in terms of attendances and the week-long programme. A number of good quality, low-budget Irish short films are screened at the festival, often for the first time. I place much faith in the makers of these films; and although they are not all of equal quality, many are superb. I hope that with better marketing and distribution they will become classics.
Film making is mainly a young person's activity. I pay tribute to the young people who are making Teilifís na Gaeilge such a great success and I salute their expertise, skills and art. It is important the Minister, in conjunction with the Minister for Education, nurtures media studies in our education system so young people grow up with an interest in film and see career options in film making. They can then contribute their judgment and discernment on film making to distinguish between what is worthwhile and what is a waste of time. It is important this critical faculty is fostered in our education system. Making media studies a central part of education will whet people's appetite and build up audiences for the future.
We have arrived at a certain stage in the development of the industry and it is time to take stock and decide what essential steps must be taken to promote and foster it further. One of the weaknesses in the industry is the lack of training in certain areas. This is borne out by a number of reports. The Coopers and Lybrand report stated that the greatest weakness in the film industry is the lack of training for producers. I know the Minister will want to address this as a matter of urgency early in her term of office.
There is a need for specific training at every level. Recently we have had to hire in technical crews. This should not happen and would not if we provided relevant and requisite education in our institutes of technology — as we will soon have more than one. Courses should be designed which exploit the growth in the film industry and give the technical, production and artistic expertise which will make a good workforce and underpin the development of the industry.
I recommend the Minister to talk to the Minister for Education, who last week introduced a Bill to the House which is giving £250 million funding to science and technology. This should not be spent in a vacuum. He should be told the areas where the money can be productively spent.
The lack of specific training in certain areas has been an irritant to many people who want to make films in Ireland. There is also the factor of cost, as Ireland is an expensive place to make films. This should be tackled immediately because it will lead to a further growth in a good industry.
I am glad the Minister, like the previous one, has committed herself to the establishment of a screen commission. This is important, because there are weaknesses in the distribution and marketing of Irish films. The Minister should appoint a chief executive in the new year. The work to be done has been identified. There have been enough reports and the Minister is also establishing a task force. A great deal of information is available which we can act on. There is a joke in my part of the country that we are always one report away from action. I know the Minister will not allow this to happen. Patrick Kavanagh spoke about the information we stole from nature but could not use. We know the initiatives which must be undertaken to underpin this industry. It is important we proceed promptly with the screen commission.
It is remarkable that 14 films supported by the Irish Film Board are being made in the country this year. I remember as a young girl being taken by my father to see Siobhán McKenna who was in "The Playboy of the Western World" which was being filmed at Inch strand in County Kerry. We had a great sense that something very important was happening. Siobhán McKenna stayed in the Great Southern Hotel in Killarney. That is not today or yesterday. It is extremely important to an area if it is chosen as a location in which to make a film. It provides a huge boost to an area, commercially and otherwise. That is something on which we must work.
Senator Mooney spoke passionately on the importance of making indigenous films. Young people in particular have the ability to make films based on our stories, because we have good stories to tell. We also have great scriptwriters. I refer to something Lelia Doolin said when talking about the small film with deep meaning and significance and which has the capacity to stand the test of time like a good wine. Lelia Doolin, whom I salute and admire, said that although it is an imperative of technology that major and commercially driven multinational production and distribution will grow, nevertheless the creativity, surprise and universality of our unique critical vision and individual imagination are equal to their deepest challenge. She has said we can do it. If we are to survive, our strength will be in doing things on small scale projects to a degree of excellence which stuns other people, whether making a piece of good cheese, crafting Irish oak, composing a fine song or making a good film. I have no doubt the Minister will work with might and main to make that happen and I wish her luck in her term in office. I support the Bill.