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Media Sector

Dáil Éireann Debate, Tuesday - 14 November 2023

Tuesday, 14 November 2023

Questions (137)

Robert Troy

Question:

137. Deputy Robert Troy asked the Minister for Finance to outline the plans for implementing the recommendations of the Committee on Budgetary Oversight outlined in its report on the 481 tax credit, particularly recommendation 7, which states "The Committee recommends that under the industry development test, assurance must be given that Irish performers will not be subject to lesser terms and conditions regarding their intellectual property rights than international performers in similar roles when employed on the same project receiving Section 481 funding". [49998/23]

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Written answers

I am aware of the contents of the Committee on Budgetary Oversight’s Report on Section 481 Film Tax Credit. In relation to Recommendation 7 regarding intellectual property rights, and indeed Recommendation 8 regarding compliance with relevant copyright legislation, I would note that copyright law falls within the remit of the Department of Enterprise, Trade and Employment. It worth noting that copyright legislation applies regardless of whether it is referenced as part of the application process for section 481.

Copyright is relevant for many workers in the film sector, including authors, producers, broadcasters and performers. I am aware that an independent facilitator has been retained by Screen Ireland to meet with key stakeholders to understand and discuss issues raised through the implementation of the Digital Single Market Directive (Copyright Directive). I understand that stakeholders on all sides of this issue are actively engaging in the process. It is critical that any potential amendments to section 481 do not front-run this important piece of work, and the outputs from it will inform future policy considerations.

The Digital Single Market Directive (Copyright Directive) and related legislation establish overarching principles – in this case, the right to appropriate and proportionate remuneration.  The details of what exactly this entails – for example the balance of remuneration between upfront daily rates and potential profit-share post-release – need to be agreed between representative bodies in the industry, with the over-arching protection of the legislative principles.  

I have been advised that, in the Irish industry, a contract virtually identical to a frequently-cited international comparator is predominantly used in respect of large incoming international productions. However, I have also been informed that the terms of this agreement do not have universal acceptance by Irish actors, and in some cases has been rejected. This illustrates the importance of the representative bodies in the industry engaging in discussions to reach agreed terms, as they can best understand and represent the issues of their members.

With regard to the wider sector, engagement between my Department and the Department of Tourism, Culture, Arts, Gaeltacht, Sports and Media is ongoing in respect of the Committee's recommendations. I would also note that my officials have directly engaged with all relevant representative bodies in the sector, including those representing crew, cast and producers, with a view to understanding the issues affecting the audio-visual sector.

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