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Gnáthamharc

Tuesday, 25 Oct 2022

Written Answers Nos. 273-292

Education and Training Boards

Ceisteanna (273)

Marian Harkin

Ceist:

273. Deputy Marian Harkin asked the Minister for Public Expenditure and Reform in view of the Minister for Further and Higher Education, Research, Innovation and Science's reply to Parliamentary Question 140 of 18 October 2022, if he will provide an update on the progress of the joint proposal from officials in the Department for Further and Higher Education, Research, Innovation and Science, and officials in the Department of Education, aimed at resolving outstanding issues in regard to employment contracts and conditions for adult education tutors employed by ETBs and if he will make a statement on the matter. [52909/22]

Amharc ar fhreagra

Freagraí scríofa

The terms and conditions of Adult Education Tutors employed by Education and Training Boards are a matter in the first instance for both the Department of Education and the Department of Further and Higher Education, Research, Innovation and Science. The particular matters raised in the proposals are complex and raise significant policy, legal and exchequer cost issues which are being considered by my Department. My officials will continue to engage with the relevant Departments on these matters.

National Lottery

Ceisteanna (274)

Niall Collins

Ceist:

274. Deputy Niall Collins asked the Minister for Public Expenditure and Reform his views on matters raised in correspondence (details supplied); and if he will make a statement on the matter. [52957/22]

Amharc ar fhreagra

Freagraí scríofa

The National Lottery is a significant asset which plays an important role in generating funds for Good Causes throughout Ireland and across a range of areas including sport and recreation, culture and heritage, community health, the arts, and youth affairs.

The National Lottery Fund transferred €289m to the Exchequer in 2021 which represents a significant 14% increase on 2020 and is a record unprecedented figure under the license commenced by Premier Lotteries Ireland (PLI) in 2014.

Circa €6 billion has been raised for Good Causes since the National Lottery commenced operations in 1987.

In 2012, the State entered into a legal agreement with Premier Lotteries Ireland (PLI) to operate the National Lottery Licence. With regard to expenditure on National Lottery Advertising, under the terms of the Licence to operate the National Lottery, the Operator is required to promote the National Lottery in two respects.

A. Base Marketing

The operator is required to undertake “base marketing” that is “fundamental to the promotion and operation of the National Lottery in the ordinary course”. Some of this expenditure goes on advertising. Base marketing expenditure must be funded entirely by the Operator.

B. Incremental Marketing

“Incremental marketing” is all marketing other than base marketing. Some of this expenditure goes on advertising. Incremental marketing expenditure can be funded by expired unclaimed prizes and/or by the Operator. The Comptroller and Auditor General’s Report on the Accounts of the Public Services 2021 reported that, in accordance with the terms of the Licence, €122 million in unclaimed prizes has been forfeited to the National Lottery operator to date and spent on promoting the National Lottery. The total figure of €122 million correctly reflects the annual figures previously released by the Office of the Regulator of the National Lottery. The amount of expired unclaimed prizes in each of 2020 and 2021 was €17 million.

Advertising and Promotion Code of Practice

Clause 9 of the Licence provides for an Advertising and Promotion Code of Practice (“the Code”) giving the Operator clear guidelines to ensure responsible marketing communication and advertising practices consistent with the laws on advertising in the State. The Code must be reviewed annually by the Operator and any changes must be approved for use by the Regulator, and this has been completed in each year to date.

The Regulator of the National Lottery regularly monitors the Operator’s marketing communication channels to ensure that it follows responsible advertising and gaming practices as per the Code and other clauses of the Licence. The information provided must be transparent, accessible, and not misleading. Players should not intentionally or unintentionally be exposed to communications likely to result in underage or irresponsible play. For example, social media advertising and promotion must be designed to reach only those who are 21+ .

Responsible Gaming / Protection of Players

A statutory objective of the Regulator is that the interests of the participants in the National Lottery are protected. Included in this objective is monitoring how the Operator is protecting players at risk of excessive or problem play. While many people enjoy and engage safely in National Lottery activity, certain groups or individuals can be vulnerable or susceptible to problem play. The Regulator continuously researches and identifies processes and practices that have demonstrated effectiveness in preventing or minimising risk of harm. Safety factors already built into the National Lottery to achieve this objective include:

1. National Lottery ticket machines only operate between the hours of 7am and 11pm.

2. The types of games that the National Lottery may sell are strictly limited.

3. Every new game or change to an existing game must be pre-approved by the Regulator.

4. Each new game or change to an existing game is considered by the Regulator with regard to the risk of addiction or problem play.

5. Retailers and the operator’s customer service staff are trained in the warning signs of addition and problem play.

6. Rules to ensure that the advertising and promotion of the National Lottery is appropriate for the nature of the product are in place and enforced by the Regulator.

7. Direct marketing and upselling are prohibited except where a player has opted in to receiving marketing messages or the Regulator approves of a direct marketing campaign (which has not been the case to date).

8. The National Lottery websites and tickets provide links to information on problem gambling and relevant resources.

In retail specifically:

1. Mystery shop exercises are regularly conducted to ensure that retailers are complying with the requirement not to sell a ticket to a person under 18 years of age and the Think 21 requirement to ask for proof of age. (Minors are at greater risk of developing problems.)

2. There is a limit on the number of scratch cards a player can purchase in a transaction.

Online specifically:

1. There are limits on the amount of money a player can spend online on any day, week or month.

2. Prizes over €100 are sent directly to the player and not paid into their online wallet, to discourage players from reinvesting winnings.

3. To open an online account and purchase a National Lottery ticket you must supply a photo of an identity document that proves you are at least 18 years old.

4. The online channel offers a self-exclusion facility to those who require assistance with limiting their National Lottery play.

5. Credit cards are no longer accepted for online play.

Office of Public Works

Ceisteanna (275)

Neasa Hourigan

Ceist:

275. Deputy Neasa Hourigan asked the Minister for Public Expenditure and Reform if he will outline the plans of the Office of Public Works for a site (details supplied);; and if he will make a statement on the matter. [52996/22]

Amharc ar fhreagra

Freagraí scríofa

I understand from my officials that the Debtors’ Prison was built in 1794 by Dublin Corporation. It is located between Halston Street and Green Street close to Smithfield Market with its entrance on Halston Street. It was originally known as the Sherriff’s Prison and ceased to function as a prison in the mid-nineteenth century. It was used as a cholera hospital for a short period of time.

In 1867, the Debtors’ Prison was transferred to the Commissioners of Public Works in Ireland (CPW) and converted into a barracks for the Dublin Metropolitan Police, and subsequently became a Garda Station. An Garda Síochána vacated the property in 1962; and in 1963 it was handed back to the CPW for the use of the Office of Public Works (OPW).

The Debtors’ Prison was licenced to Dublin Corporation for emergency housing and was used by the Corporation for housing until it terminated the arrangement in 1987.

In 1992, the Commissioners granted a 99-year lease to the Green Street Trust. The aim of the Trust was to promote urban renewal in disadvantaged areas through the rehabilitation of historic buildings for contemporary uses. The Trust’s plan for the Debtors’ Prison was to convert it into apartments to provide social housing. During this time, major works were carried out to the roof, windows and external structure and significant progress was made to the interior fit out. However, due to difficulties with Trust funding for the project, the works ceased and the lease was surrendered to the Commissioners in 2006.

Over the years, the OPW has consulted widely on a potential use for this historic property. The bodies consulted or who expressed an interest in the property include Dublin City Council, The Arts Council of Ireland, the founder of Fumbally Exchange (a not-for-profit movement of creative and innovative professionals who share co-working spaces), local small gallery owners, Sage Advocacy, the Design Tower, UCD School of Architecture, Dublin Institute of Technology, the EU Turas Project and former members of the Green Street Trust.

The possible future uses identified for the Debtors’ Prison were

1. Office Accommodation for the Civil Service

2. Commercial Office Accommodation leased to a Third Party

3. Artists’ Studios

4. Film Location

5. Transfer to another State Agency

6. Disposal on the open market

Each of these possible uses were examined and found to have some merits. However, substantial investment was required to bring the property up to a safe standard for use. This investment would have included mechanical, electrical, and related installations including the provision of a heating system, works to provide for universal access and works to meet fire safety standards in addition to all works to make the building compliant with current building regulations.

In mid-2017, the Peter Mc Verry Trust (PMVT) approached the OPW to open discussions regarding the possibility of the Debtors’ Prison being made available to them for uses as accommodation for the homeless. In early 2018, following confirmation that the Department of Housing, Planning and Local Government had approved funding, the OPW approached Dublin City Council (DCC) to offer the property for sale, for use by the PMVT, under Department of Public Expenditure and Reform (D/PER) Circular 11/15: Protocols for the Transfer and Sharing of State Property Assets.

In May 2018, the PMVT informed the OPW that DCC did not intend to proceed with acquiring the property for them, as the Council did not feel that the proposal was viable.

Later in 2018, the OPW approached the Courts Service as the adjoining property owner to establish if they required the property. The Courts Service advised that they had no requirement for the property, particularly due to the level of investment that would be needed.

In the intervening period, a number of organisations have expressed an interest in acquiring the property under licence/lease. The uses included; artists’ studios, performance space, employment support service and advocacy service. These proposals have not been pursued by the relevant parties due to the substantial costs to a protected structure that would amount to several million euro.

In March 2019, the OPW and DCC jointly inspected the property and in December 2019 negotiations on the transfer of the property commenced. In February 2020, the OPW informed DCC that the transfer of the property to DCC would be under D/PER Circular 11/15: Protocols for the Transfer and Sharing of State Property Assets and in April 2020 DCC informed the OPW that the Council no longer wished to acquire the property.

The policy of the Office of Public Works with regard to vacant properties and sites is to:

1. Identify if the property is required for alternative State use by Government departments or the wider public sector.

2. If there is no other State use identified for a property, the OPW will then consider disposing of the property on the open market, if and when conditions prevail, in order to generate revenue for the Exchequer.

3. If no State requirement is identified or if a decision is taken not to dispose of a particular property, the OPW may consider community involvement subject to detailed written submission which would indicate that the community/voluntary group has the means to insure, maintain and manage the property and that there are no ongoing costs for the Exchequer.

I am advised by the Commissioners of Public Works that the OPW continues to work with State Agencies to identify a future use for the Debtors’ Prison and in the interim, the OPW continues to facilitate the film industry in the use of the property as a film location.

Office of Public Works

Ceisteanna (276)

Martin Browne

Ceist:

276. Deputy Martin Browne asked the Minister for Public Expenditure and Reform the reason that the Office of Public Works will not allow access to the swimming pool in the Garda college, Templemore, in order that a person can provide swimming and water safety and life-saving classes. [53325/22]

Amharc ar fhreagra

Freagraí scríofa

While the Commissioners do not comment on individual licence applications, I can confirm that the OPW has supported the long tradition of the Garda authorities making the facilities at the Garda College available to the community for use by local schools and community/voluntary groups.

The swimming pool in the Garda Training College is primarily for use by the trainees at the College, but they can be made available to local schools and community/voluntary groups, where appropriate. Arising from an audit relating to the Garda College in 2017, the Garda College and the OPW put a licensing system in place in order to continue this practice and regularise the licensing arrangements.

Where a group is interested in using the facilities, they must apply to the Garda College, in the first instance as the application process is managed by the Garda College. If deemed appropriate, the College will then request the OPW to grant a licence to the group for the use of the pool facilities. The assessment and approval of applications rests with the Garda College authorities in terms of satisfying conditions around insurance, vetting, etc in advance of submitting an application to the OPW to enter into a licence agreement. In addition, it is for the group to arrange that the relevant qualified persons, e.g. lifeguards are present during the period of use of the facilities.

The OPW continues to support the Garda authorities in making the facilities available, where possible, to schools and community groups, on a not-for-profit basis, in line with their decisions on the running of the College. If a decision is made by the Garda authorities to permit private operators use the facilities to provide services on a commercial charging basis, this would require a procurement process to be undertaken in line with procurement guidelines. Any decision around the day-to-day operation of facilities at the College is a matter for the Garda authorities, who consult the OPW as the property owner.

Public Appointments Service

Ceisteanna (277)

Robert Troy

Ceist:

277. Deputy Robert Troy asked the Minister for Public Expenditure and Reform the plans, if any, to reform the commission for public service appointments to ensure that public appointments can be done in a timely efficient manner given that it can take up to 24 weeks for certain vacancies to be filled. [53337/22]

Amharc ar fhreagra

Freagraí scríofa

The Commission for Public Service Appointments (CPSA) was established under the Public Service Management (Recruitment and Appointments) Act 2004. The Commission is the principal regulator of recruitment and selection processes within the public service. It has a statutory role to ensure that appointments in the organisations subject to its remit (that is, those that fall under the authority and scope of the Commission) are made on candidates’ merit and as the result of fair and transparent appointment processes. Its primary role is to ensure probity and fairness are at the heart of public service recruitment. While the CPSA can deal with complaints from candidates about selection processes they have participated in, it does not undertake recruitment itself and therefore has no direct responsibility for the operation of any particular recruitment process, including the timeliness of any such process.

The Public Service Management (Recruitment and Appointments) Act 2004 also established the Public Appointments Service (PAS) and gave it powers regarding the undertaking of recruitment for the civil service and certain other public service bodies. These powers include responsibility for operational issues in recruitment in the public service bodies for which PAS has remit.

The Public Appointments Service runs a wide range of ‘openly advertised’ recruitment competitions and ‘interdepartmental’ promotion competitions within the Civil Service. The activities are primarily focused on the sourcing of candidates for roles in the Civil Service; the most senior roles in Local Authorities; trainee Garda, and some promotional campaigns for An Garda Síochána; and a range of management, executive and specialist roles across the civil and public service. The Public Appointments Service also has a key role in the identification of suitable members for State Boards.

For competitions which are run for specific clients, PAS agrees the competition timeline with the client at the outset of the process, however, situations can occur which impact on PAS’s capacity to meet the agreed delivery dates. When there is a delay in the process PAS will communicate this to the client and take whatever action is necessary to get the process back on track.

PAS runs a large number of competitions for specialist and generic roles from which clients across the civil service can draw on. In the context of the current challenging recruitment market, PAS has experienced reduced candidate applications, and increased attrition rates throughout all stages of the process. The candidate pools for most of our generic competitions are being quickly exhausted and PAS has had to run more competitions over the last two years than we would previously have needed. As a result, increased resources and effort is being absorbed in an attempt to maintain the required service delivery levels.

Over the course of 2021 and 2022, PAS has also experienced an unscheduled increase in demand for resources from across the civil and public service. In 2021, PAS had a 51% increase in the number of requests received from the previous year. This trend has continued into this year as the volume of requests received to date has already surpassed the volume of requests received for the whole of 2021. While PAS makes every effort to deliver a quality service to our clients, many of the factors due to the extremely challenging market are impacting our service delivery timelines in some areas.

Tax Collection

Ceisteanna (278)

Francis Noel Duffy

Ceist:

278. Deputy Francis Noel Duffy asked the Minister for Public Expenditure and Reform the breakdown of expenditure from the revenue gained by carbon tax. [53345/22]

Amharc ar fhreagra

Freagraí scríofa

The Programme for Government commits to a gradual increase in the carbon tax over the next decade to reach €100 a tonne by 2030. It is estimated that these increases will lead to €9.5bn in additional revenue over the period 2021 - 2030.

The Programme for Government states that all of the funds raised by the increases in the carbon tax will be used to support increased Government expenditure. Specifically, it commits that of the €9.5bn, €3bn is to be allocated to targeted social welfare and other initiatives to ensure a Just Transition, €5bn is to be allocated to energy efficiency, and the remaining €1.5bn is to be allocated to green agricultural measures.

As part of the suite of Budget Day publications, the Department publishes a paper detailing the uses of the additional revenues raised by the annual increase in the carbon tax rate. This paper entitled, the Use of Carbon Tax Funds 2023 is available on my Department's website.

In 2023, spending of €623m is being funded by the carbon tax. This represents the cumulative additional spending made available by the increases in carbon tax since 2020, comprised of the €90m in revenue from 2020, €148m in 2021, €174m in 2022 and an increase of €211m in 2023.

The additional funds made available in 2023 have led to an additional allocation of €89m to the Department of Environment, Climate and Communications in 2022 for investment in energy efficiency. This brings total carbon tax funding for energy efficiency to €291m in 2023. This investment will support over 37,000 home energy upgrades (including solar PV), including over 13,800 homes to a Building Energy Rating (BER) of B2 and 6,000 free upgrades to the homes of those in, or at risk of, energy poverty.

In 2023, an additional €78m in funding has been allocated for the Department of Agriculture, Food and the Marine, bringing total carbon tax spending to €81m compared with just €3m in 2022. This additional €78m will fund the new Agri-Climate Rural Environment Scheme (ACRES) which will support farmers who undertake actions which are beneficial for the environment. Beyond ACRES, the remaining €3m of the 2023 carbon tax funds will support other initiatives, including a demonstration anaerobic digestion project.

The Department of Social Protection is receiving an additional allocation of €44m in 2023. This brings the total carbon tax funding for social protection to €218m in 2023. This means 35% of the total hypothecated carbon tax revenues will be spent on social protection measures in 2023, ensuring that increases in the carbon tax are progressive. As noted in the carbon tax paper, analysis has found that households in the bottom five income deciles are better off as a result of the social protection measures funded by the increased carbon tax than they would be in the absence of the carbon tax and the compensatory mechanisms.

Finally, the remaining €33m in additional funding has been allocated to the continuation of 2020 Carbon Tax Investment Programmes in Other Departments. These programmes included the creation of a Just Transition Fund, Peatland Rehabilitation, Greenways/Urban Cycling, grants for Electric Vehicles and investment in charging infrastructure, and the Green Climate Fund.

Flood Risk Management

Ceisteanna (279)

Pádraig O'Sullivan

Ceist:

279. Deputy Pádraig O'Sullivan asked the Minister for Public Expenditure and Reform the supports that are available to homeowners that have been impacted by flooding in the past and who can no longer obtain flood insurance; if State supports are available in such an instance in the event of future flooding events; and if he will make a statement on the matter. [53449/22]

Amharc ar fhreagra

Freagraí scríofa

The OPW is co-ordinating Ireland’s whole of Government approach to flood risk management through the Interdepartmental Flood Policy Co-ordination Group, across the following strategic and policy areas:

- Prevention - avoiding construction in flood-prone areas.

- Protection - taking feasible measures to protect areas against flooding.

- Preparedness - planning and responding to reduce the impacts of flood events.

The members of this Interdepartmental Group are proactively progressing a wide range of significant policy initiatives, including:

- The Office of Public Works administered "Voluntary Homeowners Relocation Scheme" which was introduced by the Government in 2017 to address the very serious flooding of those homes that flooded in the Winter of 2015/16, including those homes flooded by turloughs. This is a voluntary targeted once-off humanitarian scheme for homeowners whose primary dwelling house was flooded, significantly damaged and uninhabitable as a result of the major floods that occurred between 4 December, 2015 and 13 January, 2016; where their dwelling house is at significant risk of recurrence causing similar damage from flooding again and the homeowner is unable to obtain flood insurance or be protected by other possible flood protection or mitigation measures.

- The Department of Social Protection has an important role in assisting households in the immediate aftermath of emergency events through the Humanitarian Assistance Scheme. The purpose of this scheme is to prevent hardship by providing income-tested financial support to people whose homes are damaged from flooding and severe weather events and who are not in a position to meet costs for essential needs, household items and structural repair.

- The Department of Enterprise, Trade and Employment operates the humanitarian support scheme for small businesses, community, voluntary and sporting bodies providing assistance to those affected by flooding. The scheme provides a one-off emergency humanitarian support contribution (max. €20,000) towards the costs of returning business premises to their pre-flood condition including the replacement of flooring, fixtures and fittings and damaged stock.

- The Department of Rural and Community Development has developed a draft Framework Proposal for Community Resilience within Major Emergency Management. The draft Framework explores the potential additional support structure that can be built into existing response plans, facilitating greater co-operation and understanding at a local level while providing the potential for extra resources if, and when, required.

- The Department of Housing, Local Government and Heritage is designated as the Lead Government Department with responsibility for severe weather events including flooding under the Strategic Emergency Management Framework. Local Authorities are designated as the lead agency for response to flooding in the Framework for Major Emergency Management.

Film Industry

Ceisteanna (280)

Aengus Ó Snodaigh

Ceist:

280. Deputy Aengus Ó Snodaigh asked the Minister for Tourism, Culture, Arts, Gaeltacht, Sport and Media if she will clarify the authority or function Fís Éireann holds as a State body to make decisions relating to the allocation of funding to representative bodies or lobby groups in the film sector; if permission is required from her; if she will provide a list of such bodies so funded; and the breakdown of the funding provided to each such group each of the years since 2012. [53462/22]

Amharc ar fhreagra

Freagraí scríofa

Under the Irish Film Board Acts 1980-2018, Screen Ireland is a statutorily independent agency with a Board that is a body corporate. The functions of the Board are set out under Section 4 of the Act and the powers of the Board to make grants in respect of those functions are set out in Section 8. As Minister, I have no role in Screen Ireland's individual funding decisions.

Regarding the specific query on funding to representative bodies or lobby groups, I have referred your question to Screen Ireland for direct reply. Please advise my private office if you do not receive a response within ten working days.

The following deferred reply was received under Standing Order 51
A detailed breakdown of core funding for each representative body from 2012 – 2022 is now attached. Each Guild applies annually to Screen Ireland for core organisational funding. Funding awards are based on the strength of a detailed strategic annual workplan of key industry activities across promotion, skills development, advocacy, and industry leadership.

Core Organisational Funding Grants to Industry Guilds

2012

2013

2014

2015

2016

2017

2018

2019

2020

2021

2022

Animation Ireland

€ -

€ -

€ -

€ 30,000

€ 30,000

€ 30,000

€ 30,000

€ 50,000

€ 55,000

€ 75,000

€ 75,000

Screen Composers Guild

€ -

€ -

€ -

€ -

€ -

€ -

€ -

€ -

€ 15,000

€ 20,000

€ 40,000

Screen Directors Guild

€ 65,600

€ 65,600

€ 65,000

€ 65,000

€ 80,000

€ 80,000

€ 80,000

€ 80,000

€ 90,000

€ 100,000

€ 100,000

Screen Guilds of Ireland

€ -

€ -

€ -

€ -

€ -

€ -

€ 40,000

€ 90,000

€ 90,000

€ 100,000

€ 100,000

Screen Producers Ireland

€ 30,000

€ 30,000

€ 30,000

€ 30,000

€ 30,000

€ 30,000

€ 30,000

€ 40,000

€ 50,000

€ 75,000

€ 75,000

Visual Effects Association of Ireland

€ -

€ -

€ -

€ -

€ -

€ -

€ -

€ -

€ -

€ 15,000

€ -

Writers Guild

€ 65,600

€ 65,600

€ 65,000

€ 65,000

€ 70,000

€ 80,000

€ 80,000

€ 80,000

€ 90,000

€ 100,000

€ 100,000

Departmental Staff

Ceisteanna (281)

Mary Lou McDonald

Ceist:

281. Deputy Mary Lou McDonald asked the Minister for Tourism, Culture, Arts, Gaeltacht, Sport and Media the number of persons working in her Department’s press office, communications team and social media team in tabular form. [52790/22]

Amharc ar fhreagra

Freagraí scríofa

I am advised that there are 9 members of staff working in the Communications Unit of my Department. This Unit is responsible for internal and external communications for the Department, which includes media response and wider media relations, event organisation, social media, co-ordination of briefing material, media services, communications-related training, and internal communications within the Department.

Grade

Number of Staff

Principal Officer

1

Assistant Principal Officer

2

Higher Executive Officer

4

Executive Officer

1

Clerical Officer

1

Census of Population

Ceisteanna (282)

Jackie Cahill

Ceist:

282. Deputy Jackie Cahill asked the Minister for Tourism, Culture, Arts, Gaeltacht, Sport and Media if she will consider making the 1926 census public in the near future, rather than waiting for the 100-year mark as is custom in such cases; and if she will make a statement on the matter. [52817/22]

Amharc ar fhreagra

Freagraí scríofa

Details of the 1926 Census have been published by the Central Statistics Office (CSO) in 10 volumes as follows:

- Volume 1 - Population, area and valuation of each DED and each larger Unit of Area

- Volume 2 - Occupations

- Volume 3 - Religion and birthplaces

- Volume 4 - Housing

- Volume 5 - Ages, orphanhood and conjugal conditions

- Volume 6 - Industrial status

- Volume 7 - Industries

- Volume 8 - Irish language

- Volume 9 - Dependency

- Volume 10 - General Report

The wealth of information published from the 1926 census tells us that on the night of 18 April 1926, the population of Ireland was 2,971,992 of whom 49% were female and 51% male. At the previous census in 1911, the population was 3,139,688 which means that the population fell by 5.3% in the intervening 15 years. Dublin was the only county to record an increase in population of almost 6% in the period, while all other counties recorded a loss. In 1926, a total of 92.6% of the population was Catholic, an increase from 89.6% in 1911. In 1926, 18.3% of the population could speak Irish compared to 17.6% of people in 1911. Housing conditions showed the average number of persons per room was 1.19 nationwide while 27% of the population lived in conditions where there were more than two persons per room. Of those employed, 51% were in agricultural occupations, 4% were fisherman, 14% were in manufacturing and 7% were domestic servants. These and many more details are published on the Central Statistics Office website at https://www.cso.ie/en/census/censusvolumes1926to1991/historicalreports/census1926reports/

Sections 33 and 35 of the Statistics Act 1993 allow for the release of information gathered by a Census that relates directly or indirectly to an identifiable person, 100 years after the date that the census was taken. As the 1926 Census was taken on 18 April 1926, this personal information can be made available from 18 April 2026. Consideration is being given to making this information available after that date, subject to GDPR concerns relating to people still living.

Making the details of individuals and households from the 1926 Census available digitally will require a significant volume of work to collate, conserve, index and digitise the original census returns. That work will take several years to complete. Officials from my Department, which includes the National Archives, have carried out preliminary examinations of the work required.

Sports Events

Ceisteanna (283)

Bríd Smith

Ceist:

283. Deputy Bríd Smith asked the Minister for Tourism, Culture, Arts, Gaeltacht, Sport and Media if there are plans to host a reception for the Irish women’s football team following their success in getting to the World Cup finals; and if she will make a statement on the matter. [52944/22]

Amharc ar fhreagra

Freagraí scríofa

The Irish women's football team's qualification for the 2023 World Cup Finals is a fantastic achievement and I am sure the whole country will be supporting the team when they compete in the tournament next summer. The Department is open to engaging with the FAI with the possibility of hosting a reception for the team and this could be considered in advance of their departure for Australia next year.

Film Industry

Ceisteanna (284)

Aengus Ó Snodaigh

Ceist:

284. Deputy Aengus Ó Snodaigh asked the Minister for Tourism, Culture, Arts, Gaeltacht, Sport and Media if her attention has been drawn to the growing number of film studios applying for and being granted planning permission across the State; if any Departmental analysis of the capacity of the film industry to sustain so many studios has been conducted in terms of crew, productions and investment; and if her Department will develop a national strategy for audio visual infrastructure to ensure sustainable future development that will support stable employment and Irish cultural output. [53463/22]

Amharc ar fhreagra

Freagraí scríofa

The Government’s ten year Audiovisual Action Plan published in 2018 sets the strategic direction for the growth of the Irish audiovisual industry. Its objective is to establish Ireland as a global hub for the production of film, TV drama and animation. Ireland competes internationally to attract internationally mobile film, TV and animation productions that brings valuable investment to Ireland.

Ireland has a range of animation studios, VFX studios as well as film and television studios. New studio developments are a positive indication of the increasing sophistication of the development of the screen sector in the last few years. With the growth in streaming services, there has been dramatic demand for content and the audio-visual industry is transforming at an exponential rate.

Ireland is home to several world-class studios, boasting state-of-the-art production and post-production facilities and various support infrastructures which have helped to attract incoming productions from studios and content streaming companies. My Department, working with other relevant Departments across Government, Screen Ireland, the IDA, and other agencies through the Audiovisual Action Plan Steering Group, monitors closely the development of studio infrastructure, which are private commercial enterprises, to support the sustainable growth of the sector.

Arts Policy

Ceisteanna (285)

Aengus Ó Snodaigh

Ceist:

285. Deputy Aengus Ó Snodaigh asked the Minister for Tourism, Culture, Arts, Gaeltacht, Sport and Media the number of the overall 8,206 eligible applicants for the basic income for the arts scheme and of the 584 recipients described under the category of music that supplied their form 11 or other proof of registration Revenue Commissioners as proof of their artistic practice. [53467/22]

Amharc ar fhreagra

Freagraí scríofa

The delivery of the basic income for the arts pilot scheme is a key priority for me as Minister for Tourism, Culture, Arts, Gaeltacht, Sport and Media. I was delighted to be in a position to deliver on this initiative which was the number one recommendation from the Arts and Culture Recovery Taskforce which I established in 2020 to examine how best to support the arts in recovering from the pandemic.

The overarching objective of the scheme is to address the earnings instability that can be associated with the intermittent, periodic, and often project-based nature of work in the arts. The scheme will research the impact on artists and creative arts workers creative practice of providing the security of a basic income, thereby reducing income precarity.

There were over 9,100 applicants for the scheme, just over 8,200 of those were eligible for selection. There was a very wide variety of ways in which an applicant could prove their eligibility for the scheme when making an application. These evidences were grouped into three categories and applicants had to provide two pieces of evidence from the three categories. Aside from proof of membership of a relevant resource, a further 32 items were listed under these categories to assist applicants in demonstrating their eligibility. The three categories were:

1. Evidence of membership of a relevant resource or art form representative body, and/or;

2. Proof of income from their work as an artist or a creative arts worker (within the last 5 years), and/or;

3. Proof of active engagement within their creative field/art form (within the last 5 years).

For the second category "Evidence of remuneration" applicants could provide a Form 11 or any of the following:

- contract for service related to creative work

- public funding for creative practice, for example: Arts Council, Screen Ireland, Local Authority or other recognised arts organisation

- grant award from a recognised arts organisation based in Ireland or abroad

- received royalties for work

- commissioned to make work

- sales of work

- existing Artists’ Tax Exemption with Revenue

- received Artists’ Job Seekers Allowance

- other proof of income from creative practice

While many applicants will have given a Form 11 as one of their two evidences, it was not mandatory to provide a Form 11 and the application system does not provide data on how many applicants used a Form 11. Assessors reviewed the evidence provided by each candidate and if it was in line with the terms and conditions of the scheme guidelines the application would have been marked as eligible and included in the selection process.

The selections for the BIA were announced in September and payment will commence shortly.

Arts Policy

Ceisteanna (286)

Aengus Ó Snodaigh

Ceist:

286. Deputy Aengus Ó Snodaigh asked the Minister for Tourism, Culture, Arts, Gaeltacht, Sport and Media the final total spend on the live performance restart grant scheme; and if the list of grantees will be published. [53468/22]

Amharc ar fhreagra

Freagraí scríofa

The Live Performance Restart Grant Scheme (LPRGS) was launched in March to provide a new grant for businesses engaged in staging live events in the arts and culture live performance sector. This scheme has supported the live entertainment sector by providing business re-start grants to de-risk the planning of events and to assist with the costs of reopening following the lifting of COVID-19 public health restrictions.

The payments process for this scheme has now concluded and €14.88m has been paid to successful grantees. Details of grantees will be published in the coming weeks on gov.ie at the following location - www.gov.ie/en/publication/d1d0c-live-performance-restart-grant-scheme-lprgs-guidelines/.

This funding I believe has been essential to help underpin the recovery of the sector post pandemic. It has been great to see the hundreds of events and gigs happening across the country and I am pleased to see artists, crews, event producers and promoters back doing what they do so well, providing high quality and enriching entertainment and events for communities across Ireland.

Culture Night

Ceisteanna (287)

Aengus Ó Snodaigh

Ceist:

287. Deputy Aengus Ó Snodaigh asked the Minister for Tourism, Culture, Arts, Gaeltacht, Sport and Media the overall spend on Culture Night 2022; the total number of artists, performers and workers that participated and received payment for their work as part of the event; the number of artists with disabilities that were engaged as part of Culture Night; and the engagement that took place between her Department, the Arts Council and disabled persons organisations in the lead up to the event [53469/22]

Amharc ar fhreagra

Freagraí scríofa

As Minister for Tourism, Culture, Arts, Gaeltacht, Sport and Media, along with having responsibility for policy within the Arts, I allocate funding to the Arts Council that has primary responsibility for the development of the arts in Ireland under the Arts Act 2003.With regards to the Deputy's specific queries in relation to Culture Night 2022, I have referred this question to the Arts Council for direct reply. Please advise my private office if you do not receive a response within ten working days.

The following deferred reply was received under Standing Order 51
With reference to your PQ Ref No: 53469/22 please see the Arts Councils response below:
To ask the Minister for Tourism; Culture; Arts; Gaeltacht; Sport and Media the overall spend on Culture Night 2022; the total number of artists, performers and workers that participated and received payment for their work as part of the event; the number of artists with disabilities that were engaged as part of Culture Night; and the engagement that took place between her Department, the Arts Council and disabled persons organisations in the lead up to the event -
- Aengus Ó Snodaigh.
* For WRITTEN answer on 25/10/2022
The Arts Council collects data relating to participating artists and events that are thematically categorised as having an EDI focus. As the 2022 event was only 4 weeks ago, this data has not yet been finalised but we can make this available as soon as it is complete.
The Arts Council provided EDI training to all Culture Night organisers in 2021 and 2022 to ensure that local programmes are inclusive and avoid any discrimination under the Equal Status Acts, including socio economic backgrounds.
The Arts Council is aware that not all events that happen on Culture Night are part of the official Culture Night programme and are also mindful of negative experiences that artists with disabilities can and do face within the commercial entertainment sector. We are currently engaged with the DADA Collective on understanding how best we can continue to advocate for the issues facing artists with disabilities working in both the publically funded and commercial entertainment sector.
The Arts Council is partnering with Maynooth University on a new research project titled Artists at the intersection of work and welfare: Low-Income disabled artists' navigation of welfare and working lives funded by the Irish Research Council and the Arts Council.

Arts Centres

Ceisteanna (288)

Michael Ring

Ceist:

288. Deputy Michael Ring asked the Minister for Tourism, Culture, Arts, Gaeltacht, Sport and Media the funding that has been provided to a project (details supplied); the funding commitment, if any, that has been committed towards long-term operational costs; and if she will make a statement on the matter. [53493/22]

Amharc ar fhreagra

Freagraí scríofa

A capital grant of up to €2 million has been awarded to Mayo County Council towards the cost of this project, of which €1,568,292 has been drawn down to date. The long-term operational costs of the completed facility are matter for Mayo County Council.

Sports Events

Ceisteanna (289)

Alan Dillon

Ceist:

289. Deputy Alan Dillon asked the Minister for Tourism, Culture, Arts, Gaeltacht, Sport and Media when she intends to develop and publish a policy on the hosting of international sports events that will align the efforts of State bodies, national governing bodies, local authorities and all other relevant stakeholders, to ensure that Ireland can compete with the best in the world when bidding for major events. [53511/22]

Amharc ar fhreagra

Freagraí scríofa

Ireland has consistently demonstrated an ambition to attract major international sports events that can make a positive return to the country. This is most recently evidenced by the Government’s decision to support an expression of interest by the Football Association of Ireland (FAI) in bidding, with the UK, for the right to host the UEFA Euro 2028 championships as well as the upcoming hosting of the following events:

- US College Football matches every August from 2022 to 2026

- The UEFA Europa League final in 2024, and

- The Ryder Cup in 2027 in Limerick

In line with the commitment in the Programme for Government, a Major International Sports Events Policy is currently being developed by my Department. The aim is to establish whether and how Government should support major international sports events, the benefits it should seek to derive from such events, the supports it could offer and the kind of events it would prioritise for support. This will provide the basis for a Strategy to support and attract major international sports events and an assessment model based on the identified priorities. Mechanisms and channels to support events will also need to be developed.

While progress on the development of the policy was delayed by the pandemic, focused consultations have taken place this year with key stakeholders and a public consultation process closed on 26 May 2022. Following analysis of the consultation responses, further detailed follow-up and in-depth discussions with stakeholders will be required. Research, including consideration of the policies and strategies in place in other countries, has been undertaken and is continuing.

My Department is now working towards the development of a high level policy green paper by December of this year.

National Parks and Wildlife Service

Ceisteanna (290)

Michael Healy-Rae

Ceist:

290. Deputy Michael Healy-Rae asked the Minister for Housing, Local Government and Heritage if works will be carried out on a bridge in the Black Valley, Killarney (details supplied); and if he will make a statement on the matter. [53521/22]

Amharc ar fhreagra

Freagraí scríofa

The National Parks and Wildlife Service operates a priority list for capital works. The bridge referred to is within Killarney National Park and is currently on the priority list for works to ensure it is structurally sound and passable for traffic.

Housing Schemes

Ceisteanna (291)

Peter Fitzpatrick

Ceist:

291. Deputy Peter Fitzpatrick asked the Minister for Housing, Local Government and Heritage if the Government has plans to re-evaluate the way in which local authority housing tenant’s rent rates are calculated (details supplied); his plans to reduce rates for tenants over 66 years of age; and if he will make a statement on the matter. [52702/22]

Amharc ar fhreagra

Freagraí scríofa

Local authorities set and collect rents on their dwellings in accordance with section 58 of the Housing Act 1966. The making or amending of such rent schemes is generally a matter for local authorities within broad principles set out by my Department, including that rent levels should be based on income and reflect tenants’ ability to pay.

Local discretion and flexibility are inherent in the devolved administration of rent schemes and different approaches are taken to rent setting across local authorities. Accordingly, decisions regarding how the incomes of those on pensions are treated for rent assessment purposes are matters for individual local authorities.

Housing for All commits to developing proposals for a standardised national differential rents scheme across the country. The timing of this work is being considered as part of the current review of Housing for All and having regard to the significant changes in the economic environment over the past year.

Derelict Sites

Ceisteanna (292)

Michael Ring

Ceist:

292. Deputy Michael Ring asked the Minister for Housing, Local Government and Heritage if a dwelling can be deemed as derelict by a local authority under the Derelict Sites Act 1990, when the property is in fact lived in and has been the owner’s principal private residence for years; and if he will make a statement on the matter. [52736/22]

Amharc ar fhreagra

Freagraí scríofa

The Derelict Sites Act 1990 (the Act) imposes a general duty on every owner and occupier of land to take all reasonable steps to ensure that the land does not become, or continue to be, a derelict site. The Act also imposes a duty on local authorities to take all reasonable steps, including the exercise of appropriate statutory powers, to ensure that any land within their functional area does not become, or continue to be, a derelict site. It is a matter for local authorities to determine the most appropriate use of the legislation within their respective functional areas.

A property that is lived in and occupied as the owner’s principal private residence can technically be placed on the derelict site register where it is deemed by a local authority to satisfy the criteria of a derelict site under the terms of section 3 of the Act i.e. (i) it is in a dangerous or ruinous condition; (ii) it is in a neglected or unsightly condition; or (iii) there is a presence of litter, waste or debris on the site. In such circumstances, the local authority can, as a first step under powers available to it under section 11 of the Act, issue a notice to the owner-occupier requiring the undertaking of specified steps to prevent the site from continuing to be a derelict site. Such site will remain on the derelict site register until such time as the necessary steps have been undertaken. A local authority can remove a site from the register where the necessary steps specified in the notice have been undertaken and entry on the register is deemed to be no longer appropriate. Where the necessary steps have not been undertaken by the owner-occupier, the local authority has other powers under the Act that it can avail of as necessary.

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